Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Wednesday, May 02, 2012

To market, to market...

...to buy no fat pigs. Although I could probably get one there if I wanted. We are lucky to have an excellent farmers' market in Mountain View. We started going pretty much every weekend as soon as we moved here five years, and now nearly all our produce comes from there (bananas and mangoes are notable exceptions), along with our eggs, bread, and some cheese. And cookies. The best macaroons in the world are available for purchase every Sunday morning in Mountain View, just in case you were wondering.

This week, Adriana had a birthday party and our cupboards were bare, as we’d just returned from a three week holiday the previous afternoon, so I biked Lyra over to the farmers’ market, where I bought:

  • 2 pounds zucchini
  • 2 bunches asparagus
  • 1 bunch carrots
  • one big bag of peas
  • 4 artichokes
  • 2 bunches asparagus
  • 1 pound bag of salad greens
  • 6 apples
  • 3 baskets of strawberries
  • 4 sweet potatoes
  • 6 yellow onions
  • 4 lemons
  • 6 avocados
  • 2 cucumbers
  • 12 eggs
  • 1 loaf of whole wheat sandwich bread
  • 1 baguette
  • 2 kinds of cheese
  • 1 quart sheep's milk yogurt
  • 1 bunch basil
  • 1 bunch cilantro
  • 1 bunch parsley

As I piled the groceries into my bike trailer I thought I'd bought most of what we needed for the week (along with a few things from the grocery store--cereal and beans, among other things). But I think I forgot how to shop while we were away. Either that, or my kids are just extra hungry this week. It's Wednesday night, and I have left 3 avocados (the ones that were nowhere near ripe, which I picked so they would last through the week), one cucumber, half the salad greens, a lemon, and an onion. I still have most of the eggs and sandwich bread, as well as the yogurt, which I'm using slowly because it's seriously expensive (but it’s awesome and it has a very short season, so I had to buy it this once).

I'm going to have to go to the supermarket tomorrow for fruits and vegetables. And I’m sulking because I know they won’t be as good as what I got over the weekend. I think this might be the very definition of first world problems.

Thursday, March 29, 2012

This is no place you ever knew me

Adrienne Rich, one of my favorite poets, died this week. I first read her poems in high school, and some of her essays were assigned reading in my courses at UCSC. She lived in Santa Cruz, and when I was in school there I attended several of her poetry readings; once I waited in line to have a collection of her poetry signed.

This is from her poem “An Atlas of the Difficult World.” Such a perfect description of a place I love.

Within two miles of the Pacific rounding
this long bay, sheening the light for miles
inland, floating its fog through redwood rifts and over
strawberry and artichoke fields, its bottomless mind
returning always to the same rocks, the same cliffs with
ever-changing words, always the same language
--this is where I live now. If you had known me
once, you’d still know me now though in a different
light and life. This is no place you ever knew me.
But it would not surprise you
to find me here, walking in the fog, the sweep of the great ocean
eluding me, even the curve of the bay, because as always
I fix on the land. I am stuck to earth. What I love here
is old ranches, leaning seaward, lowroofed spreads between rocks
small canyons running through pitched hillsides
liveoaks twisted on steepness, the eucalyptus avenue leading
to the wrecked homestead, the fogwreathed heavy-chested cattle
on their blond hills. I drive inland over roads
closed in wet weather, past shacks hunched in the canyons
roads that crawl down into the darkness and wind into light
where trucks have crashed and riders of horses tangled
to death with lowstruck boughs. These are not the roads
you knew me by. But the woman driving, walking, watching
for life and death, is the same.

Monday, October 22, 2007

Character

Now that Adriana is pulling up all the time, yet another level of our bookshelves are being cleared daily. This morning I picked up the books of poetry she'd pulled off the shelf, glancing idly through the pages of an Adrienne Rich collection before returning it too its place. The next book I picked up was my copy of Backroads, my high school's fine arts magazine, of which I was a co-editor my senior year. While the baby napped, I sat and read, flipping back and forth through the thin book, looking at the crazy collection of fonts, remembering faces and conversations as I saw the names on each page, and smiling at the words of teenagers. I remembered the classroom where I'd sat with my creative writing classmates, sifting through submissions--poems scratched out in pencil on wrinkled notebook paper, carefully typed poems with careful meter and rhyme, drawings tucked carefully into sturdy envelopes, and black-and-white photos printed in the school's darkroom. I remembered designing pages, and having staff hand me little floppy disks with their pages on them. I remembered the sense of accomplishment when the other editor, our advisor, and I took the final pages to the printer, and how afterwards Ms. Logan took Meghan and me for an ice cream and then taught us how to parallel park.

I thought about the creative writing class. That last year (I took it for three years) my cousin sat behind me. We were a little clique--Sky and me, Jaron who I'd known since pre-school, Andy who was a friend of both of them, in a band with Sky. I sat and wondered what became of Jaron and Andy as I read their poems, trying to recall when I'd last seen either one of them, and made a mental note to ask Sky. I stopped again as I came across the name of a tall, thin quiet boy from the class, a couple of years younger than I was, someone who I'd completely forgotten about, and I wondered what happened to him; and then what became of the girl whose poem is on the page before, a girl who was good at math and played one of the lead roles in the school production of Three Sisters for which I was stage manager. I read a poem by the woman who edited the magazine the year before I did; it was a good poem, and I hoped that she was doing something interesting, that she was happy. I passed over a poem by a girl I hadn't liked without reading it, and smiled as I read a funny poem by someone from my journalism class. Then there was one by someone I saw a couple of years ago at a wedding, and one by my best friend, who I have been meaning to call for weeks.

And then there was my name at the bottom of one page. I stopped there, looking at my name for a moment, almost afraid to look up at the words above it, words I couldn't really remember. Then I read over the prose-poem. It was a bit trite, I thought. I tried to remember writing it. Was I sitting on my bed? Did I begin it sitting at that corner desk in the creative writing class? Was it something I'd scribbled while sitting at a table in the school library during a free period when I was meant to be doing my trig homework? I stared at the words, but I couldn't recall. I tried to imagine those words coming from me, the memory wouldn't come. It has been too long, as if the words were written by another person completely.

I flipped through the pages again and found another poem I'd written, this one with a sing-song sort of rhyme to it but a similar theme. Again, I thought it was a little trite, but cute, something written by someone else entirely, it seemed. I thought there was probably one more, and I scanned the contents page until I saw my name again. The title listed by my name didn't mean anything to me. I tried to remember writing something with that title, but couldn't. Finally I turned to page 60, and saw the poem. Now I remembered. I still didn't remember writing it, but I remembered the poem. Reading it now, more than ten years later, was strange. It was the only really personal poem of the three of mine in the magazine. I read it over a few times, wondering what I was thinking. It's kind of a funny poem--as if I was simultaneously trying to write out how I saw myself at 17 and trying to define who I wanted to be at that moment. Perhaps I was trying to reconcile the two. What was I thinking when I wrote it? What did my mother thing when I brought home the copy of the magazine? Did I read this poem out loud when we had our reading when the magazine was published? I doubted it, but I couldn't remember.

Adriana woke up from her nap, and I read through all three of my poems again as I watched her play. Will she write poetry as a teenager? Will she someday read the poems that I wrote as a teenager and laugh at how silly her mother was? What would I have thought at seventeen if someone had told me where I would be today?